Beautiful job!!! @Alex Giddings I think you deserve a medal for that score. I concede this once. After you win a championship though I might have to give a little more effort and try to beat you...
The fact that the chords are all (a) in root position, (b) in the treble clef, (c) in close voicings, (d) only built on naturals, and (e) unaffected by key signatures definitely makes things easier: give me a series of spread voicings scattered across the grand staff in hard key signatures with inversions and accidentals thrown in, and I guarantee you would absolutely trounce me.
I would be trounced by that as well I think😞 at least if it was timed and I did not have access to a piano. Also in that case you would need the key and chordal context to accurately name the chord as the same notes are different chords in different contexts.
I also really wish that toneGym would change the key signatures sometimes...
Though I can say for a fact the the number of people who are able to get a score over thirty on this one is pretty low, as it requires knowing the scale degrees of each chord and the treble clef inside and out. It is not as hard as it could be, Thankfully! So good to be humble, but also recognize that that is a really good score for this one!
Warm up? The only way Mark's 'super-positions' (1st or 2nd position at every elfin' competition game) can be stopped would be setting that computer on fire and let it burn to quantum ashes...🔥😁
I'm on the highest level of Callibrator, and I would like to be challenged more to further develop my ear. I am reaching the point of dimishing returns on this exercise. It would make the game much more effective if it mixed compound intervals with intervals within an octave as well. This would force the listener to develop better discernment in understanding the structures and distances between notes regarding harmony.
calibrator is imo pretty useless in real world applications, and wouldn't benefit from further improvements, because it's inherently flawed. i've touched on this topic before, but intervals have to make sense in context, within a tonality. C-A and D-B are both major 6 intervals in C major but they feel vastly different to each other. there are other good apps like politonus that put intervals in context and are a bit more useful. transcribing real music is another option.