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ToneGym
Dec 17, 02:35 in Basic Music Theory
Congrats @Kevin Triplett for completing the 'Music Theory Basics' program!
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Colin Aiken
Dec 17, 03:54
Well done!
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Kathy Anderson
Dec 17, 14:08
Good for you!!
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ToneGym
Dec 17, 06:54 in ToneGym Official
Congrats @Andrey Karpov for winning the Silver Ears Award!
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clayton perszyk
Dec 17, 08:28
Congratulations!
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Kathy Anderson
Dec 17, 14:07
Congratulations!!
Congrats @Tom Kar for winning the Golden Ears Award!
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Colin Aiken
Dec 16
Fantastic!
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Congratulations!! Great job!!
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Stefanos Stavridis
Dec 16, 21:14
Nice work Tom!
I need help with Route VI, what should i be looking for, is it the root notes or how the chords resolve ect...? Any feedback is appreciated. Cheers
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I take something of a mechanical, deductive approach, which is arguably not ideal compared to listening for tension, resolution, and chord quality (though those things can absolutely still be part of it), and is pretty time-consuming, but it's how my brain works. Take it or leave it as suits you.

First, I find a note in each chord. Whatever note you can pick out. This gives me a sequence of notes. I match this on my electric piano that's right next to my computer. I now have a sequence of intervals.
 
For instance, let's say I match the notes B, C#, D. The interval pattern is +M2, +m2. Let's say the choices are ii-V-I, ii-I-V, and ii-IV-I. Which of those have that interval pattern?
 
I then refer to a cheat-sheet I have of the notes in the chords in the key of C. Again, it doesn't matter whether the progression is actually in C, as I'm just looking for interval patterns.
 
Does ii-V have an interval of +M2? Yes, taking the key of C as an example, Dm (DFA) to G (GBD) has two of them, A to B and F to G. What about ii-I? Dm to C (CEG) has two as well, D to E and F to G. And ii-IV? No, Dm to F (FAC) has no such intervals.
 
OK, so now we've eliminated one of the possibilities. To narrow it further, let's look at the second interval in the pattern. So, if we've gone from Dm to G (ii-V), we've landed on either the B or the G according to our interval pattern (relative to the key of C -- of course, our absolute notes are different). Does the I chord (to complete the ii-V-I pattern) have a note that is a m2 up from either B or G? Yes, the root of the C chord is up a m2 from the B in the G chord. So, that's a match.
 
But is the other pattern a match, too? If we go from Dm to C (ii-I), we've landed on either the E or the G (again, relative to the key of C). Does the V chord (to complete the ii-I-V pattern) have a note that is a m2 up from either E or G? No, it has the notes GBD, none of which fit the bill.
 
Voila! We now know that ii-V-I is the only match among the choices.
 
We've traced through the notes A, B, and C as matching the interval pattern, but of course the actual notes we matched are B, C#, D. We can now surmise that the progression is actually in the key of D (with chords Em, A, D), but the game doesn't require us to identify the absolute chords, just their relative harmonic functions, so that's just a bonus.

I'll add that sometimes just recognizing and matching the chord quality -- major, minor, diminished -- is quite sufficient to narrow down to the right answer. And if it doesn't narrow it all the way down, it can at least eliminate some of the possibilities to speed up the above process.
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Cherry Blow (author)
Dec 16
Thank you that was very helpful never thought of referring to my keyboard it's pretty clever actually
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Victor Wilburn
Dec 16, 17:54
@Cherry Blow Yep, use the tools available to you, as long as they don't take away from the point of the exercise and its practical usage. In practice, using your instrument to help you figure out a chord progression is the most natural thing in the world, so using it in that context does not take away from the point of the exercise, in my view. (By contrast with, say, Solfefgiator or Interval Barks, where if you used an instrument to give you the pitches you are supposed to sing, it would ENTIRELY take away the point of the exercise.)
Congrats @T vC for winning the Silver Ears Award!
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NGUYEN TIEN
Dec 15
good🍏
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Colin Aiken
Dec 16
Bravo!
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👍
Congrats @Michael Möllerfeld for winning the Diamond Ears Award!
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NGUYEN TIEN
Dec 15
Congratulations, you're so talented!🍏
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lele Hot
Dec 15
GOOD JOB ✨💯
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Colin Aiken
Dec 16
Outstanding achievement!
A Young Rapper With a Big Dream — Age Doesn’t Limit Me 🎶

I know I might be super young to be a rapper, but that doesn’t mean I can’t do this. 🎤
Artists like Ice Spice inspire me, and seeing how Lele started when she was really young, and how Young Dylan was doing it super young too, showed me that age doesn’t decide talent or dedication. That’s what made me realize I can do anything I put my mind to.

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lele Hot (author)
Dec 15
get me to #1
Priority: Rhythm or Scales?
Which should be a learning priority: rhythm & metronome practice, or learning scales?

🎵 If you had to choose one to level up first, what matters more: rock-solid rhythm or strong scale knowledge?

Both are foundational, but which one shapes musicianship more in your experience?

ToneGym fam, cast your vote and tell us why.
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DAVID DOERNER
Dec 13
Playing based on one note within the groove can sound amazing!
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Ryan Foley
Dec 13
Being a drummer first learning musician, I cannot count the amount of times rhythm has given me an edge or helped me out in an unexpected way with other instruments.
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Kurt Grey
Dec 14
you can make a great song with two notes and a great sense of rythm. The other approach seems less solid to me
Feeling ready
hey guys
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Ian Nyachoti
Dec 13
hii
Congrats @Angel Rostaing for winning the Golden Ears Award!
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Colin Aiken
Dec 12
Fantastic!
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.congratulations!!! Good for you