I figured I could type in the notes on my computer keyboard - which apparently you can but it doesn't let you type 'c' to register the note c. Ok, fine. Makes sense, it's arbitrarily setup to mirror a piano, fair enough. I hate computer/piano key mirrors cause the muscle memory is all wrong but it's a solid idea, maybe I can play with my MIDI keyboard!
You can use the an external MIDI device - awesome. Except, hilariously, there's no way to play flats. If I play an Eb on my MIDI keyboard, it's not counted - because it's ABOVE the E key, not below it, so obviously it's a D# now.
I would love to play this game but translating the note I recognize to a screen click slows me down a ton and is not a useful skill to build - that's not what I come here for.
Yeah to play the flats you have to press the B (B3) below the C at the same time as you press the black key... Which isn't a great solution. Buuut, you will start moving onto chords etc after the individual notes, and I would say the goal of the game isn't to aid sight reading for playing piano, it's identifying notes or interval or chord by name. So using the mouse makes more sense, especially as you progress
I am stuck at Departurer in distinguishing M21 from m21. Does anyone have a hint / technique for me, how to overcome this? I think, I have to find a different approach. Thanks a lot!
I use song references to hear intervals. For m7 I hear “Tonight” from West Side Story (There’s a place for us). I also have a reference song for the M7 (actually from the musical Damn Yankees) - also agree - the M7 has a lot more tension.
for me it seems that my frequency distance distinguishing somewhere there gets to its end. I don't hear more tension with m and M (like I did at octaves below). But I will try. Maybe the further I go the more unserious and the more lazy I become...
Pianist, university lecturer, and self-confessed technical problem-solver with a soft spot for Hans Zimmer's Time, Pavol Brezina never set out to teach people how to listen. He was just someone for whom music had always been part of life, with a curiosity that grew from enjoying sound to wanting to know how it's shaped and how it carries ideas and emotion.
That led to years studying music, sound and acoustics, then teaching those subjects at university, and to a daily ToneGym routine he now brings into the classroom, before discovering that listening is a skill that can be systematically trained. @Pavol Brezina is this month's ToneGym Hero!
After months of failing over and over, I finally beat the 1st level of Inversionist!
For those like me that struggle with this exercise, here's what it took for me to finally beat it: • Listen to the ToneGym playback multiple times. • Find the base chord on the piano in the same general range as the ToneGym playback. • Move back and forth between inversions on the piano. • Key step: Now play it back on the piano as an arpeggio. Playing as a chord didn't cut it for me, but for some reason playing as an arpeggio allowed me finally hear where the inversion was.
Good luck, folks, and let me know if this helped any of yall, or if you have any other tips!
I've been relying on my intuition for the most part. It's a lot harder for me to focus on the right answer than it is to just assign a feeling to each sound and take my best guess.
The root sounds settled and final, the 1st sound wonky or off somehow, the 2nd sounds like the root but with a touch more bite or air to it?
Maybe there's a better way, I just started but that's what's worked for me so far!
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Oct 03, 03:08
Oct 03, 11:04